Understanding chinese music
Up to the beginning of the twentieth century, classical music had always belonged to elite society and it was not popular among ordinary people.
See also: Timeline of Chinese music Lively musicians playing a bamboo flute and a plucked instrument, Chinese ceramic statues from the Eastern Han period 25— ADShanghai Museum According to legends, the founder of music in Chinese mythology was Ling Lun who, at the request of the Yellow Emperor to create a system of music, made bamboo pipes tuned to the sounds of birds including the phoenix.
A wide variety of these instruments, such as guzheng and dizi are indigenous, although many popular traditional musical instruments were introduced from Central Asia, such as the erhu and pipa.
Just as Prof. In another words, the appreciating of painting is an interactive and dynamic process between the viewers and the painting. The concept of regular accents in Indo-European language is absent in the Sino-Tibetan language family.
Chinese music and entertainment
Looking at Chinese musical compositions, especially the traditional ones through Western musical theory-tinted glasses inevitably gives one such an impression. Indeed, there seemed to be a revival of traditional music before the disastrous movement of the "Cultural Revolution". And while Chinese consumers certainly love music, music consumption behaviors across the region vary by income levels. The concept of regular accents in Indo-European language is absent in the Sino-Tibetan language family. While rock has existed in China for decades, the milestone that put the genre on the international map is when Cui Jian played with The Rolling Stones in , at the age of Each phrase is one sentence followed by a certain silence in such a way that the variety of pipa sounds and the silences and sometimes noises are combined harmoniously in forming the sound poetry, creating a kind of dynamic link between the performer and the audience. Generally speaking, there are two kinds of music traditions — classical and folk. The Maoists , during the Cultural Revolution , pushed revolutionary music as the only acceptable genre; because of propaganda, this genre largely overshadowed all others and came almost to define mainland Chinese music. Therefore, one phrase in Chinese classical music is not simply a string of notes, but each note has its own life and meaning, depending on how you play it in the context. Liu Fang: First, Chinese music is somehow related to the Chinese language.
Classical types of music were often performed in private settings such as palaces or private houses. Accents and Dynamics: accents and dynamics of the music are also closely related to the language. To Confuciusa correct form of music is important for the cultivation and refinement of the individual, and the Confucian system considers the formal music yayue to be morally uplifting and the symbol of a good ruler and stable government.
What we need here, is a total paradigm shift from how we are used to looking at and analysing Western music.
based on 72 review